Indigenous Researcher Transforms
Body Bag Into A Healing Ribbon Dress

 

text excerpts below are from a February 4, 2021 Vogue article by Cecilia Nowell

 

Public health researcher Abigail Echo-Hawk (Pawnee) and her colleagues at the Seattle Indian Health Board reached out to their local and federal partners for more PPE so they could continue serving Washington’s Native population. When they received a large package a few weeks later they were elated—until they opened it and found a stack of body bags inside.

“We’re not a hospital system. We don’t have inpatient, we don’t have hospital beds. If somebody died here, we would call an ambulance,” said Echo-Hawk. “I went home and I just cried that night, which I unfortunately do often.” To her, the body bags were a symbol of how little the United States values Native lives and a foreshadowing of the massive outbreaks that would take hold on reservations. In Native communities, the mortality rate from COVID has been nearly double that of the rate among white populations—revealing weaknesses in the Indian Health Service and putting Indigenous elders at risk.

Later, Echo-Hawk took some of the body bags home, where slowly, a vision emerged: She decided to transform one of the body bags into a traditional ribbon dress. The dress would comment on the ways the pandemic has disproportionately impacted Native communities and honor the women whose lives have been put in danger by rising rates of domestic violence and assault. 

Abigail Echo-Hawk decided to turn a body bag into a ribbon dress, as a symbol of healing and resilience.

According to the Centers for Disease Control, Native women are two times more likely to be murdered than women of other ethnicities. Echo-Hawk’s team at the Urban Indian Health institute, a division within the Seattle Indian Health Board, reports that Native women are also 2.5 times more likely to experience rape or sexual assault. This tragedy has only increased during the pandemic. In August, Debra O’Gara (Tlingit and Yup’ik), senior policy specialist at the Alaska Native Women’s Resource Center published a press release outlining how COVID had exacerbated the long-standing problem.

Echo-Hawk's personal mantra lines the zipper.

In order to make her own ribbon skirt, Echo-Hawk used red thread to sew ribbons along the dress’s exterior and created a fringe with the toe tags that accompany body bags. “Red is the color of prayer. It’s the color of strength,” says Echo-Hawk. “It’s also about holding our women sacred.” Along the ribbons, Echo-Hawk kept her stitches even, but when she came to the toe tags, she switched to jagged lines to mimic autopsy stitching.

Along the dress’s neckline, Echo-Hawk attached mirrors, a common element of cultural regalia that she says was meant to deflect injustice and reflect back any assault on Native women at those making the attack. In the center of the dress, she used her own hands to create three red handprints—symbols of the Murdered and Missing Indigenous Women (MMIW) movement.

Echo-Hawk created fringe with toe tags that accompany body bags.

 

Ribbon Dress made from body bags Abigail Echo-Hawk

 

Untitled Abigail Echo-Hawk

Ribbon Dress made from body bags Abigail Echo-Hawk

Ribbon Dress (detail)

 

Beloved Jingle Dress Cones, Body Bag Abigail Echo-Hawk

Jingle Dress (detail)